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Great gatsby use of abstract language11/3/2022 ![]() ![]() ![]() The vast majority of the rest of the characters in the novel are presented as quite similar to Tom and Daisy Buchanan self-engrossed, empty shells of humanity with little, if any, social conscience or self-restraint. ” Indeed, the first mention of Jay Gatsby at once artfully paints a very vivid picture of a man with infinite potential, a man of great wisdom and sensitivity, and also a terribly tragic man, constantly plagued and finally consumed by his obsessions and involvements.Here, Fitzgerald showcases his inimitable ability to use brief but poignant descriptions to create characters that one can truly grow to know and care about, and eventually mourn in passing. ![]() His use of a narrator allows the story to become much more personal and dramatic, as one gets to experience firsthand the glamorous but empty lifestyles of the fabulously rich and bored.Particularly in The Great Gatsby, the glittery, superficial lifestyle of high society is portrayed in the way Fitzgerald chooses to describe his characters. Perhaps the most important element of Fitzgerald’s linguistic style in The Great Gatsby, as well as the bulk of his body of work, is his close attention to the use of effective form.In the largest percentage of his written work, Fitzgerald chooses to use one character, slightly removed from the action and effects of the story, as a narrator and a voice of reason, counterbalancing the rest of the characters, who are often morally corrupt Nihilists, engaging in nights of sin and carelessness in seek of endless pleasure. These types of characters were Fitzgerald’s favorite to use as narrators, such as Nick Carraway, the semi-innocent commentator and main character of the book I chose to analyze, The Great Gatsby. These people were possessed with an almost unnatural drive to “keep up with the Joneses ” to dedicate their lives to looking much better of than they actually ever could be. ” These were people like Fitzgerald himself: upper-middle class citizens who worked the day away, frittering away their hard-earned money on trinkets and status symbols, so that by night, they could briefly mingle with the ranks of the “beautiful people. In such pieces as “Winter Dreams” and This Side Of Paradise, Fitzgerald turns a scrutinizing eye towards the glamorous decadence of circa 1920’s America, where young “flappers” would bounce from social situation to social situation, looking for the ultimate good time.While many of these socialites were blessed with the financial capacity to stay out all hours of the night party-going and drinking, on the outskirts of this subculture were those who only longed to truly be a part of the “in-crowd. Scott Fitzgerald’s many works, one must first consider his infatuation with all things outwardly beautiful, but inherently flawed. ![]()
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